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Union Pacific Big Boy No. 4002 — Blueprint · Blue — Landscape

Colour

Union Pacific Big Boy No. 4002 Blueprint Wall Art

$99 CAD

Open production · Made after your order

Free shipping — Canada only

A hand-plotted technical blueprint, drawn stroke by stroke in real ink.

  • ✓Made-to-order
  • ✓Free shipping — Canada only
  • ✓14-day returns

We'll hand your exact text to the operator before plotting — 40 characters max.

Secure checkout via Stripe. Your piece is plotted after you order.

A technical plan of the Union Pacific Big Boy No. 4002, drawn in pen, line by line, on 250 g/m² paper, 11 × 17 in (27.9 x 43.2 cm). A physical nib presses into the paper and lays down real ink, in Québec. On the back: a serial number and a date, drawn in UV ink in the same pass as the artwork.

No. 4002's silhouette exists as a file, everywhere — a drawing anyone can call up on a screen. What doesn't exist everywhere is a copy that can say who drew it, where, on what day, and under which number.

Union Pacific's Big Boy No. 4002 was one of 25 articulated 4-8-8-4 steam locomotives built by the American Locomotive Company (ALCO) in 1941 to haul freight over Wyoming's grades without a pusher engine. At 132 feet 9 inches long and 1,189,500 lb with its tender, it produced roughly 6,290 horsepower and 135,375 lbf of tractive effort — enough to move 3,600-ton trains through the mountains at up to 80 mph on level ground. Retired in the early 1960s, No. 4002 wasn't among the eight Big Boys that survive today; its tender, renumbered 25-C-103, outlived it and is paired today with sister engine No. 4004, on static display.

At a Glance

  • ◆4-8-8-4 "Big Boy" articulated steam locomotive
  • ◆Built by ALCO in 1941
  • ◆132 ft 9 in long, 1,189,500 lb with tender
  • ◆~6,290 hp, 135,375 lbf tractive effort
  • ◆One of 25 built; only 8 survive today
  • ◆Coal-fired, 80 mph design speed

Each piece is physically plotted by the studio's precision robot in Québec City, using Stabilo® Fineliners and Sakura® Gelly Roll inks on 250 gsm (120 lb) stock — stroke by stroke, never printed. A physical tip presses into the paper and lays down real ink. The result is a tactile, hand-plotted finish — never printed.

Specifications

codeink@robot:~$ ./specs --piece union-pacific-big-boy-4002

> FORMAT: Tabloid Standard [11" x 17" / 27.9 × 43.2 cm]

> INK SYSTEM: Stabilo® Fineliner / Sakura® Gelly Roll

> SUBSTRATE: 250gsm High-Density Stock [120lb]

> EXECUTION: Precision Vector Plotting

> PLOT TIME: ~1–1.5 h of machine drawing time

> PRODUCTION: Open · drawn after you order

> ORIGIN: Québec City, Canada

What the robot does, what a person does

The robot

  • ◆runs the file
  • ◆draws
  • ◆lays down ink
  • ◆repeats without tiring

A person

  • ◆picks the locomotive
  • ◆designs the linework
  • ◆decides which lines disappear
  • ◆sets pressure, speed, pen height
  • ◆watches the drawing
  • ◆signs, numbers, packs

Drawn by a robot. Designed by a person.

Included

▶

Production timelapse included — every order · no extra cost

Watch your piece being plotted, line by line, by the studio's robot. A personal timelapse of your production is sent with every order — to share, or to keep as a record of how your piece came to be.

Hidden signature

The CodeInk signature glowing under UV light on the back of a plotted piece

Real footage — an early production piece, shown under blacklight.

A signature only UV light reveals

On the back of every piece, in the same pass as the drawing, we plot a signature invisible under normal light — codeink.art, the piece's name and serial number, the year, and Québec. Shine a blacklight on it and it glows.

“No. 4002 doesn't exist anymore — it went to scrap decades ago, like most of its 25 sisters. All I had to work from were drawings and photographs of a machine nobody alive has stood next to while it ran. That's a strange kind of portrait: tracing the exact proportions of something that's gone, using nothing but the record it left behind.”

— Carlos, CodeInk.art, Québec

Open production

This piece isn't a limited edition — production stays open. Small variations in ink flow and line closure can occur during physical plotting, giving each plotted piece its own production trace.

The pen wears down as it draws. Ink runs denser at the start. One line closes a hair away from the last. Nothing gets corrected and nothing gets hidden: it's the simplest proof the object was made rather than duplicated.

PERFECTLY imperfect.

Want something like this, but yours? Commission a Piece

codeink@robot:~$ ./faq --list▌

Questions & Answers

Everything you need to know

> STATUS: RESOLVED

No. This is an independent piece of art — it isn't affiliated with, endorsed by, or sponsored by the Union Pacific Railroad or its rights holders. The locomotive's name is used only to describe the real subject being drawn.

CodeInk art is not affiliated with, associated with, authorized by, or sponsored by Union Pacific Railroad or its rights holders. Type designations are used for descriptive purposes only. The trademarks and designations mentioned belong to their respective owners.